“Take care they don’t get the best of you,” Miss Ensor advised him. The right people did come: Mrs. Denton being a personage that a landed gentry, rendered jumpy by the perpetual explosion of new ideas under their very feet, and casting about eagerly for friends, could not afford to snub. A kindly, simple folk, quite intelligent, some of them, as Phillips had surmised. Mrs. Denton made no mystery of why she had invited them. Why should all questions be left to the politicians and the journalists? Why should not the people interested take a hand; meet and talk over these little matters with quiet voices and attentive ears, amid surroundings where the unwritten law would restrain ladies and gentlemen from addressing other ladies and gentlemen as blood-suckers or anarchists, as grinders of the faces of the poor or as oily-tongued rogues; arguments not really conducive to mutual understanding and the bridging over of differences. The latest Russian dancer, the last new musical revue, the marvellous things that can happen at golf, the curious hands that one picks up at bridge, the eternal fox, the sacred bird! Excellent material for nine-tenths of our conversation. But the remaining tenth? Would it be such excruciatingly bad form for us to be intelligent, occasionally; say, on one or two Fridays during the season? Mrs. Denton wrapped it up tactfully; but that was her daring suggestion.!

Miss Tolley had chanced upon a Human Document, with the help of which she was hopeful of starting a “Press Controversy” concerning the morality, or otherwise, of “Running Waters.” The secretary stood just behind her, taking notes. They had drifted quite close. Joan could not help overhearing. A little laugh escaped her.

“Tell me,” he said, “did you see your mother before she died. Did she speak to you?” The other was a young priest. He wore the regulation Red Cross uniform, but kept his cassock hanging on a peg behind his bed. He had pretty frequent occasion to take it down. These small emergency hospitals, within range of the guns, were reserved for only dangerous cases: men whose wounds would not permit of their being carried further; and there never was much more than a sporting chance of saving them. They were always glad to find there was a priest among the staff. Often it was the first question they would ask on being lifted out of the ambulance. Even those who professed to no religion seemed comforted by the idea. He went by the title of “Monsieur le Prêtre:” Joan never learned his name. It was he who had laid out the little cemetery on the opposite side of the village street. It had once been an orchard, and some of the trees were still standing. In the centre, rising out of a pile of rockwork, he had placed a crucifix that had been found upon the roadside and had surrounded it with flowers. It formed the one bright spot of colour in the village; and at night time, when all other sounds were hushed, the iron wreaths upon its little crosses, swaying against one another in the wind, would make a low, clear, tinkling music. Joan would sometimes lie awake listening to it. In some way she could not explain it always brought the thought of children to her mind. She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes.